Sunday, January 23, 2011

EXPOSED Voyeurism, Surveillance, and the Camera Since 1870

Harry Callahan,  Atlanta, 1984; dye transfer print; Collection SFMOMA, San Francisco Museum of Modern Art, Accessions Committee Fund purchase; © Estate of Harry Callahan

from San Francisco MOMA
30 October 2010 - 17 April 2011

I selected this image because its composition and subject matter is similar to my personal work. Investigating the shifting boundaries between seeing and spying, the private act and the public image.

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